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Drake – So Far Gone Album (Zip Download) 10 years later, the OVO rapper’s breakthrough mixtape is one of hip-hop’s great blueprints. This week, Toronto’s CN Tower gleamed a golden hue in the frigid Canadian winter night. The change in color scheme came from an unconventional, but at this point, entirely understandable source: an offhand joke from the city’s biggest superstar, Aubrey “Drake” Graham.
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After winning the award for Best Rap Song at the 2019 Grammys, the rapper, in a visibly loose, celebratory state, told ET, “I want to say the mayor of Toronto needs to turn the CN Tower gold tomorrow — in chrome and gold tomorrow. Are you stupid?
Are you dumb?” When his wish was granted the following night, he cut his cockiness with a tone of sincere honor. “40’s mom always say, ‘Don’t ask permission, just ask forgiveness,’” Drake says on “The Calm,” the kind of yearbook quote wisdom that he’d pepper throughout his discography.
As a teen soap actor turned Lil Wayne protege, Drizzy was a tough pill to swallow for some rap fans, and in some ways, forced him to adopt a “fake it ‘til you make it” mentality before he would fully embrace self-deprecation and own the goofiness of his primetime roots in videos like “Started From The Bottom” and “I’m Upset.” So Far Gone is Drake deciding that the first step to winning people over was to put out great music, whether the world was ready to hear from him or not. Maybe the most impressive thing about the project is how many bases its able to cover. The opening suite of R&B-informed confessionals tells the story of the demise of a relationship that runs counter to Drake’s ascent to fame, the couple calling things off (by way of a Peter, Bjorn and John remix) before Drizzy gets his call from Wayne. This ushers in Drake’s then-newfound obsession with Houston, the city he first visited when Weezy flew him out to meet. 40 and Boi-1da are able to meld the syrupy crawl of DJ Screw and Bun B with the hazy melodicism of Drake’s bedroom slow jams, a merger that continues to define his music to this day. Then there’s “Best I Ever Had,” an instant pop-rap classic that brought Drake’s songwriting out of murky R&B and into sharp radio ready hook-writing. It’s the kind of crossover hit-making ability that put him in a league of his own with “Hold On, We’re Going Home” and “Hotline Bling.” Keep in mind, at this point, Lil Wayne is a year removed from Tha Carter III, the platinum-in-a-week blockbuster that solidified his claims of Best Rapper Alive.